The other performances of Forgotten Orchestra of the World of Dreamers in the Archa Theatre




Unforgettable World of Dreamers
Gulliver's Travels II.

The second version of the improvised performance for an orchestra, actors and projection. Scenical project of Jaroslav Kořán

From the epilogue: Swift's aim of writing Gulliver`s Travels was told to his best friend Alexander Pope: " the main goal for me is to torment the world than rather entertain it. I`ve got material for a treatise, where I discovered the incorrectness of the definition of 'animal rationale' and I proved that man is a maximum 'rationis capax' (ability to think).

Concept and direction: Jaroslav Kořán
Texts and cooperation on staging: Radek Špirhanzl
Film director: Jaroslav Kořán and Vojtěch Frič
Film editing and camer: Vojtěch Frič
Camera: Martin Kublák
Casting: Gulliver - Žan Loose, the café visitor - Radek Špirhanzl

The Forgotten Orchestra of the World of Dreamers An music orchestra is changing weather. It depends on the casting, sound and mood of the musicians. It is a trip through May weather in a meadow, in a wood, streets, homes, stations, wherever.…
          The orchestra has lost itself (somewhere). Somewhere, far away, but it`s also here. It`s here with a message, silent notification, wishing, reacting and screaming, true and false pictures and reflections of a dreamer`s spirit, which turns, in spite of its wandering character, into a sort of visible and dividable shape - sometimes surprisingly concrete. The Forgotten Orchestra of the World of Dreamers is an experiment. Several various musical media, as well as styles of music, are used.

Forgotten Orchestra of the World of Dreams for this evening is created by:
Tereza Roglová - vocals, percussion
Jiří Alexa - trumpet
Jaroslav Kořán - drums, sounds
Roman Plischke - guitars and tenor sax
Petr Tichý - double-bass
Petr Varjú - soprano sax, baritone sax, clarinet
Jan Alan - violin, bass guitar
Michael Delia - percussion
Vladan Malinjak - violin


Gulliver's Travels I.
Gulliver's Travels III.